推薦-Learning to Emulate the Wise：The Genesis of Chinese Philosophy as an Academic Discipline in Twentieth-Century China 中國哲學
Learning to Emulate the Wise is the first book of a three-volume series that constructs a historically informed, multidisciplinary framework to examine how traditional Chinese knowledge systems and grammars of knowledge construction interacted with Western paradigms in the formation and development of modern academic disciplines in China.
推薦-Imagining Gay Paradise：Bali, Bangkok, and Cyber-Singapore
The book depicts gay paradises in Southeast Asia and the men who created them. It studies the obstacles gay men have faced in securing a voice as citizens, and how they used images of paradise in Bali, Bangkok, and Singapore to create a sense of refuge, construct homes for themselves, and dissent from typical notions of manhood and masculinity. For gender studies and Southeast Asian studies, it provides a "queer reading" of Walter Spies, a gay German painter who in the 1930s helped turn Bali into an island imagined as an ideal male aesthetic state. Secondly, the book provides a historical account of the absorption of Western notions of romantic heterosexual monogamy in Thailand during the reign of King Rama VI and the resistance to those notions expressed through an architectural paradise called Babylon founded by a Thai known as Khun Toc. Finally, it describes the "cyber-paradise" of Fridae.com created by a young Singaporean named Stuart Koe. Collectively, the study examines the pursuit of sexual justice, the ideologies of manhood they challenged, and the geographic and online spaces they created.
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推薦-Southeast Asian Independent Cinema
The rise of independent cinema in Southeast Asia, following the emergence of a new generation of filmmakers there, is among the most significant recent developments in global cinema. The advent of affordable and easy access to digital technology has empowered startling new voices from a part of the world rarely heard or seen in international film circles. The appearance of fresh, sharply alternative, and often very personal voices has had a tremendous impact on local film production. This book documents these developments as a genuine outcome of the democratization and liberalization of film production. Contributions from respected scholars, interviews with filmmakers, personal accounts and primary sources by important directors and screenwriters collectively provide readers with a lively account of dynamic film developments in Southeast Asia.
